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Closed view. 2018
Size: 45-7/8h x 49-3/4w x 2-1/2d. Open View.
Oil on panel in gold leaf frame. (2018)
Size: 45-7/8h x 49-3/4w x 2-1/2d. Open View.
Oil on panel in gold leaf frame. (2018)
Size: 45-7/8h x 49-3/4w x 2-1/2d. Open View.
Oil on panel in gold leaf frame. (2018)
59-3/4h x 65w x 2-/2d inches. Open View. Oil on panel in gold leaf frame. (2018)
Semana Santa / Cloning Eve and Geisha - 2003
This narrative takes place in Venice, Italy. A live cloned mouse, computer mice and a keyboard in the painting symbolize high tech culture while a priest represents historical and ethical viewpoints in the US. The US Congress recently had a series of intense debates on whether or not cloning a human being is morally or scientifically acceptable.
Here, cloned Eves, cloned geisha, and cloned samurai are seen visiting Venice. The samurai are Japanese people who have had facial and body surgeries to become a western man and woman. They abandoned their samurai faces and wanted to be western. They not only had facial surgery, but also changed their entire bodies.
I call US culture the "Culture of Unlimited Imagination." Commercial products in this country thrive endlessly. Americans' "Overcoming Nature" belief provides continuous national entertainment and constantly brings out new invention. Americans' drive to become beautiful and for physical fitness by exercise or just by surgically draining fat from their bodies is conceptually unthinkable to a Japanese such as myself.
Cloning has brought out ethical, social and cultural issues and also created philosophical and spiritual dilemmas. In an affluent society such as the States, boundless scientific progress continues to invent the unimaginable. Commercial products also overwhelm us, pushing the limits of imagination. Daily dramas expressed by CNN and other media create an ironically warped "Culture of Decadence." Any direction you look in this nation reveals drama.
Who would even think in terms of changing one's entire body or sexuality- even changing the length of one's legs or genitalia. Americans seem to be comfortable dealing with their bodies like they would deal with an automobile. If parts of their bodies don't work, replace them with new parts. Americans are incredibly rational. Caught between science, ethics and sexuality, cloning issues have highlighted liberalism vs. conservatism. Since cloning doesn't involve a sexual relationship or conception, it has shaken the west's foundation of morality and spirituality.
Semana Santa / Venus' Security Check - 2004
Venus has been stopped at a London airport's security check. Although she showed her ID card (the seashell) to a security guard, she was still treated as suspect. She was strip searched as if she was a suicide bomber. Venus was humiliated and dehumanized.
The Tower of London, red boxes (London's public telephone booths), the Tate Modern, the Millennium Bridge and St Patrick's Cathedral are depicted in the background of the bottom triptych. In London, phone boxes' interiors are covered with explicit erotic images and nightclub ads that reflect one aspect of the English cultural landscape.
The triptych on top was inspired by priests' sexual abuse issues. I understand that the sexual abuse was more widespread than what the media reported. It extended from child sexual abuse to woman's sexual abuse cases according to investigations stemming from the original complaints.
This reminds me of Spanish Inquisition history when churches discovered that there were many priests' sexual abuses. This was causing the church to lose support from their members. Churches at this time had to reform so that they could sustain their financial structure and control. This is exactly what we are seeing repeated today.
To me, these problem behaviors could stem from the priests' vow of celibacy. The suppression of sexuality, it seems to me, could lead to the un-controllable explosion of a volcano. It is the nature of sexual desire to find its way out somewhere, somehow. It is only natural that we have sexual desire. Trying to erase it seems to go against the natural flow of the biological human body.
Chastity is a tough assignment. Appreciating love, sexual desire and respecting that the nature of the human body is a gift and a celebration is important. Repressing sexuality could easily end up with un-controllable hot lava that can easily flow awry into sexual abuse. Sexuality and ethics are closely related. The priests and women in this triptych are tied together and struggling with sexual ethics.
US Inquisition / The Pope of Thong - 2003
Sexuality v. sexual ethics is the theme of this piece. S&M gear is nothing new to religious penitential rituals. They are closely related in terms of their origins. Today the media controls our daily life on many levels. There are ads for work out programs and work out machines, MTV rock bands and Janet Jackson's one side breast exposure, an expensive thin string and small triangle pad that are organized as a thong. A thong is popular among the teens today. A culture of titillation and seduction is what we have in this consumer culture.
The Pope in this narrative wears a thong since he is hip. The children here imply priests' sexual abuse issues. A pregnant woman who has been beheaded could imply severed and tormented sexuality. Two dominatrixs are investigating an archbishop on Twin Towers of Babel. Symbolically all of the women in this piece represent humans who are supportive of human sexuality and knowledge.
Venus' Serpentine Confession - 2003
This narrative takes place in red boxes (phone booths) along the Serpentine (a lake in Hyde Park) in London. Priests confess to women in the red boxes. A woman in the center panel on the top triptych is running away from a priest who had breast Implants. Surgical technology and people's attitude toward high technology is moving incredibly fast nowadays. An astonishing number of people have artificial hearts, cosmetic and body surgeries. This is amazing to me coming from Japanese cultural roots where I always understood that our bodies should be gracefully accepted as fate.
The bottom part of this triptych reveals priests and women confessing in Manhattan's Cloisters. A bishop investigates by torturing a woman on an iron rack. Another bishop at a podium apologizes to women and nuns for his church's priests' sexual abuses cases. A priest who is baptizing a baby gives a historical view of the church's sacraments.
The backside of this triptych (closed) is a travelogue. Lynda and I visited the Tate Modern, walked along the Tower of London and later visited Madrid and the headquarters of the Spanish Inquisition in Toledo. We also visited Naples, Pompeii and Ireland in 2003. Highlights of each place are depicted in this composition.
Confessional Series / Chameleon Priest - 1995
I conceived my Confessional Series in the early 1990's and it evolved throughout the decade. I often find sexual and ethical attitudes in the US to be tormented rather than healthy. Underneath so-called wholesome, healthy, open-minded sexuality, there is an undercurrent of darkness that seems to surface whenever it gets the chance. Sexual and ethical scandals continue to entertain TV audiences.
Size: 120-1/4h x 122-7/8w x 3d inches. Open view
Oil and gold leaf on panel in gold leaf frame. (2018)
Hi friends,
When I look at my artwork in the past and now, we were dealing with the AIDS epidemic a few decades ago. Today we are in the midst of a Democracy v autocracy battle in a covid environment. Culturally speaking, the most urgent statement would have to evolve creatively, I believe. My recent Kabuki narrative has created a diptych below.
Before: Circa 1989
Masami Teraoka: AIDS Series/Tale of Thousand Condoms/Mates exhibited in the International group show at the Mori Art Museum in Tokyo, 2013: Watercolor on canvas 81 1/2 x 136 inches. Courtesy of Catharine Clark Gallery, San Francisco, California
Now: 2022
Masami Teraoka: Evacuation 2022
Evacuation: Oil on panel in gold leaf diptych,
Open view: 27 1/2 x 24 x 2 1/2 inches. Courtesy of Catharine Clark Gallery, San Francisco, California. cc@clarkgallery.com,
Masami Teraoka Kabuki Narrative:
What if Russia send out supreme ballerinas to the world? Humanity is more than urgently demanded. Vision for peace is what is lacking in this world.
When I watch Ukraine people who are fighting for democracy, I wish we would talk more about democracy in America. We have been so used to think Democracy is free. But no. You have to work hard to protect it and enjoy freedom. Freedom works with responsibility. This is what we need to pay serious attentions to upcoming November 8, 2022, election. This mid term election means whether or not we are supposed to choose democracy or autocracy. Democracy is on the line! This November's mid term election is not an ordinary mid term election at all. I don't want you to wake up on next morning after the election day, where did Democracy go? The November 8, 2022, election is that serious. I want you to know. Best thing we can do now is to vote, vote, vote! Row, row, row your vote gently down the stream!!!!! You cannot sit complacently doing nothing but not voting would be unconscionable. Please register now and vote as soon as possible. Thanks!
A vision based on human rights and awareness of environmental issues. The earliest exhibition I had participated must have been a gruop show at the Cal State LA in 1966. Around that time Josin Iancco had curated many shows in town. If I’m not mistaken Judy Chicago had the awesome concrete pillars installtion. Powerful work that had inspired me tremendously. Soon after the vagina dinner table the vagina table had become such a mile stone controversial narrative. I walked into the historical feminism’s tampon installation house in downtown LA. It was shockingly awesome. Such a visual orgasm that had been. On the way home I had wondered what feminism meant? Kept trying to find out what it had implied. Of course it make sense. First you had the vigain dinner.and followed up with tampon setting seemed to make huge sense. I had grown up with my three sisters in Jaoan so everyting was relatively familiar about women’s daily routiines. But these women theme shows had been creative expressions therefore these shows had been new experiences for me. For the tampon installtion, if I’m not mistaken, Susan Lacy and Judy Chicago were the names floating around the Tampon House. What little had I known? I eventually had gotten into creating my own Tampon Series additionally my own Condom Series in the 80’s AIDS era.
Coming from an ancient culture of Japan, these insane American artists and their concepts had been exciting. I must have been overjoyed y thoses artists’anf inspired by such exciting American artists. Any form of art presents issues on the table clearly. That’s the magic of art.of framing. A painting for instance is like walking into a tea ceremony room. Free form creativity presnts itself assertivelty. This inspires hiuman psyche. I had been huge fans of these artists then. The imptus for my future’s creativity had been apparent around then. Feminism. What is it? I asked myself so many times.
The momentom from the vagina house to the tampon dinner, oops so sorry, conjestion here. Before having lost gained the momentom from the sexuality issues, I had begun investigating the history of Cathoilc Chiurch. and clergy sex abuse issues. Specifically I was looking for an answer why Clinton’s Impeachment was a big deal. To understand moral history of US culture, I had to go into deep down through ther history of humanity and sexuality. This in depth research finally had led me to where this country is all about and where it’s coming from. Comijng from Vatican.
Clergy sex abuse issues in historical context brings its course tgo the present at some sense it matches MeToo movement era. There is one layer that MeToo and clergy issue’s difference is obviousl. I found many compelling issues in the archaic Catholic Church’s history. Faith and religiosity issue is not related to Mee too movement.. Catholic Churche’s institutiuonalized secrecy ans asexuality attitude speeks loudly. Don’t touch your own genitals should it’s institution to be exaggerated. American style confessions on TV talk shows, recent priests' confessions, politics, international affairs, censorship, invasion of privacy, gender, sexual preference, religious discrimination,racism, suppression by Nartianal f gurds, breaking off the constitution a chio by chip. The impeachment trial, viagra, and AIDS to air and water pollution, toxic shock syndrome, American fast food and culture invading the world (McDonald's Hamburgers Invading Japan, 31 Flavors Invading Japan), global corona virus tourism and terrorism, and culture clash and beyond the current series on today's mass media, internet culture.
Weaving news media, reality, fantasy, visionary, imaginary and other worldly reality with humor, line, form and color, commentary, topicality, and a high level of aesthetics is a challenge. I try to focus on current issues articulated on a metaphorical level rather than recreating a mere copy of reality. Each narrative creates a fantastical aesthetic world where human folly and dilemma are expressed in such a way that the beauty and ugliness of human activity and psyche thrive in a complex pictorial recipe.
In order to articulate these varied issues my work has evolved from Japanese-Ukiyo-e style vocabulary and Italian Renaissance painting vocabiularies. What is consistent about the two obviously different styles is the conceptually both narrative paintings.
Ironically tacklng contemporary issues, I reach into the past, basing my early paintings on Japanese Ukiyo-e wood block prints. My current work has taken another direction, melding western aesthetics, religious and iconic themes from Renaissance painting that I update as if continuing a cross-epoch conversation. What determines which of the media I work with is the content of the statement I want to address. Working with two different visual vocabularies- one for each media- which is like any language, encapsulate different outlooks and implications and are applicable in different contexts.
Oval Cloisters Series evolved after I completed US Virtual Inquisition Series c. 2000. Impeachment Trial had inspired the Confessional Series in the early 90’s. Making such obvious transition was a gigantic challenge on many levels. Aesthetic vocabularies and conceptual focuses concerned me since I had to make more than obvious dynamic transformation.
Making the transition from the Ukiyo-e woodblock print vocabulary to the Renaissance art painting vocabulary was a huge responsibility for the artist during the transitional phase.